K.u.K.

 There must be households that possess automobiles over many decades without encountering collisions and requiring auto-body repairs. We are not one. Over about 35 years as a household, we have had four trips to a body shop for repairs.

It was after the most recent visit, to Imperial Auto Body in northwest Washington, DC, that it occurred to me that our work has been parceled out between that establishment and Royal Auto Body of Rockville, Maryland. So far--and I hope that there will be no further--the score stands at three visits to Imperial, one to Royal. Who would have thought that such an everyday business as auto body repair would turn out to be Kaiserlich und Königlich?

Black Eyes

 Near the end of Aristotle's Eudemian Ethics there appears the passage

Further, if a man prospers or fails to prosper because he is the kind of man he his, just as a man sees poorly because he is blue-eyed, then not luck but nature is the cause.

(Translated by Anthony Kenny.)  Earlier in Chapter 2 of Book VIII, there is a reference to the superior eyesight of the black-eyed. This is not something I have heard of elsewhere. It is tempting to suspect that Aristotle had dark eyes. People used to suspect and perhaps still do that he had a snub nose, for more than once in his works he asserts that a snub nose is not a defect.

In Naples '44, Norman Lewis writes that in WW II the career of one who had finished a preliminary course in military intelligence was determined before the placement interview had officially begun: the blue-eyed got the demanding, interesting, and--to be fair--more dangerous assignments. The dark-eyed were sent off to be sergeants in Field Security. My stepmother (herself blue-eyed) once remarked that the heroes and heroines in Helen MacInnes's novels of suspense always had blue eyes; though I suppose that some of their opponents must have had blue eyes, given that they tended to be Germans or Russians.

I don't know where Aristotle would have placed my eye color on the range from black to blue. My driver's license calls them brown, the mirror suggests that hazel or green might suit better. (Be their color what it may, I don't see well without glasses.) The word Kenny renders as "blue" is "glaukos".  Liddell and Scott say that as applied to eyes this means blue or light blue--otherwise it seems to shade toward green.

 

Complaining Because They Won't

 Last month, the Sunday New York Times Book Review carried a piece by David Brooks on Tom Wolfe. This was part or all of an introduction Brooks wrote to a volume comprising Wolfe's pieces "Radical Chic" and "Mau-Mauing the Flak Catchers". Two weeks later, there were two letters about the piece, one praising Wolfe, and one putting in a good word for the Bernsteins. Nobody addressed what I thought the strangest few paragraphs.

It appears that the old WASP world of Manhattan could trace its ancestry to Debrett's Peerage or the Almanach de Gotha:

The old aristocrats had it so easy, those stately bankers in the J.P. Morgan mold. They may have been frequently bewildered about why the masses didn’t like them, but their own place in the social aristocracy was secure. It was right there in their bloodlines — the generations of grandees stretching back centuries. The status rules were simple.

But the names offered do not convince:

 the old blue-blood Protestant elite — the Astors, the Whitneys, the Rockefellers

John Jacob Astor, founder of the family, was the son of a butcher. John D. Rockefeller's father was not especially reputable. The Whitneys went a good way back in the northeastern US, yet I suspect that the reflective among them would have agreed with Mrs. Archer in The Age of Innocence:

 "Don't tell me," Mrs. Archer would say to her children, "all this modern newspaper rubbish about a New York aristocracy. If there is one, neither the Mingotts nor the Mansons belong to it; no, nor the Newlands or the Chiverses either. Our grandfathers and great-grandfathers were just respectable English or Dutch merchants, who came to the colonies to make their fortune, and stayed here because they did so well. One of your great-grandfathers signed the Declaration, and another was a general on Washington's staff, and received General Burgoyne's sword after the battle of Saratoga. These are things to be proud of, but they have nothing to do with rank or class. New York has always been a commercial community, and there are not more than three families in it who can claim an aristocratic origin in the real sense of the word."

 Whatever the case, the new families did not have it so easy:

The members of the new cultural elite could never be so secure. Their status — their very reason for being — was based on their own superior sensibility. They lived by their wits and their public attitudes.

That sixty years ago in the Midwest I heard of Leonard Bernstein had nothing to do with his superior sensibility, except so far as it was reflected in his composing and directing music. I knew no more of his public attitudes than of George Szell's. (Of Szell's I knew only that he thought very poorly of persons arriving late at concerts.)

Then a few weeks later, the print edition carried a review by Jennifer Szalai of Hitler's People: The Faces of the Third Reich. There I was interested to read of

the easy lie of a noxious conspiracy theory in place of the hard truth, that Germany was incapable of defeating the Anglo-American coalition.

The French losses in World War I were about 15% greater than those of the British Empire; the American losses were not a tenth of the French. And Russia may have suffered more casualties than France. If any crank wrote to complain about the salience of the Anglo-American coalition, the letter did not make it into the Book Review.

T. Collin Jones, Esquire

 If you watched American television sixty years ago, almost certainly you heard Kodak commercials using the song "Try to Remember [that time in September]". That song came from the musical "The Fantasticks". The lyricist, Tom Jones, died last month.

I remember very little of the song, but I read with interest the obituary of Mr. Jones in The New York Times. In particular there was his account of his high school, and early college years in Texas:

 “Sometime during my sophomore year at Coleman High School, I became a ‘character’” — wearing bow ties and a straw hat to school, smoking a pipe, signing his articles for the school newspaper “T. Collins Jones, Esquire.”

“Even now, nearly 70 years later, I can’t help but stop and wonder what the hell I thought I was doing,” he wrote. “Even more, I wonder at the fact that the other kids — farmers mostly, and ranchers and 4-H girls — took it all in their stride."

But then he got to the drama department of the University of Texas, where

"for the first time, there were other people actually like me," he wrote. "Here, marvel of marvels, everybody was T. Collins Jones, Esquire."

It is well that he found his tribe.

One understands the wish for distinction. An American can grow up in a homogeneous world, one of so many so much alike, and feel an urge to stand out from the crowd. In "My Military Campaign", Mark Twain mentioned a young neighbor, who

 had some pathetic little nickel-plated aristocratic instincts, and detested his name, which was Dunlap; detested it, partly because it was nearly as common in that region as Smith, but mainly because it had a plebeian sound to his ear. So he tried to ennoble it by writing it in this way: d’Unlap. That contented his eye, but left his ear unsatisfied, for people gave the new name the same old pronunciation—emphasis on the front end of it. He then did the bravest thing that can be imagined—a thing to make one shiver when one remembers how the world is given to resenting shams and affectations; he began to write his name so: d’Un Lap. And he waited patiently through the long storm of mud that was flung at this work of art, and he had his reward at last; for he lived to see that name accepted, and the emphasis put where he wanted it, by people who had known him all his life, and to whom the tribe of Dunlaps had been as familiar as the rain and the sunshine for forty years. So sure of victory at last is the courage that can wait.

Will It?

 Seated at the airport gate not far from us early Monday was a young woman with a sweatshirt obviously from a well thought of university. On the back were Aeneas's words "haec olim meminisse iuvabit", from Book I of the Aeneid, line 203. Theodore C. Williams translates the full sentence, "forsan et haec meminisse juvabit",

.... It well may be
some happier hour will find this memory fair

 My first thought was that this made the university experience sound a bit dire: the memory of which Aeneas speaks includes near shipwreck, certain loss of one ship of his fleet, and apparent loss of others. One could argue that the omission of the first two words of the sentence "forsan et"--perhaps even--turns the sentence from a tentative encouragement to a positive statement. But in the years when all students arrived at the university knowing their Latin, wouldn't they have at once thought of the context? Perhaps I underrate their sense of irony, though.

My second, somewhat later thought, was that No, I would not relate with pleasure the annoyance of a four-hour delay. It is less than Roman virtue to say so. But we were not out to found a city, only to take a vacation.

The Cost of Running

 A few weeks ago, I received a notice from a local store stating that the registration fee for the DC Half Marathon was about to go up. I am not in condition to run the race, but I thought I would see what the price was. At the time, it was $100, now it is $110.

That seemed to me pretty steep. I haven't entered many races since the mid-1980s, and I am unable to say what registration costs were then. I'm guessing that I usually paid about $20 or $25 for a race. Back then, that would have been about a third of the price of a pair of good running shoes. This suggests that the fees have outrun inflation, for running shoes costing more than $250 are unusual.

The one race that I have run since 1987 is a local 5-kilometer race. I find that this year's fee is $20. At $4/kilometer, that isn't much lower than the price per kilometer of the DC Half. But were shorter races less expensive to enter than marathons in the old days? I just don't remember.

In fairness, there are some features now expected that weren't imagined in 1980s, notably bibs with microchips and the timing mats to record one's finish time and splits. Finisher's medals seem to be expected now, at least for marathons: then I think I got just one, for finishing in the top n of the Richmond Newspapers Marathon. Perhaps some races offer other swag as well, beyond the tee shirt one got in the old days.

Focus

At work I spend a good deal of time logging into this or that system. Often these days such a system requires more than a username and password, uses what is called multi-factor authentication (MFA). In many cases I use Google Authenticator on my phone for this--I find that I have nine applications using it, plus one application that we no longer use, and for which I should remove the entry. Google Authenticator will provide a six-digit code for an application, which code changes at short intervals.

A couple of the applications that require MFA will bring up a page where one may enter the code, but then do not set the "focus" to the input box. This means that one can confidently type the six-digit code, look at the box, and find that there is nothing there. In such cases, one clicks in the box, waits for the numbers on the phone to change, and types in the new code. I find this annoying, out of proportion to the real inconvenience.

One of the applications for which I get authenticator codes is Okta. An Okta login sequence always sets the focus properly for the code. Now, Okta's whole business is to centralize authentication for its customers, so you would expect them to have put thought into these matters. Anyway, good for them.

It is not only in HTML inputs that developers neglect focus. Recently I have been adding comments to some database objects, using Oracle SQL Developer. Once in ten times I will click on the comment tab of the window and start typing, having failed to remember that the focus is still with the object name above the tabs, and so wiping that out. It is hard to do damage this way, for a comment will not match the allowed format of an object name. Still, one must close the window without saving and start over.