And one difference between Harriet Beecher Stowe (1811-96) and Ross Macdonald (1915-) is that Macdonald, in devising his fables of modern identity, wrote them as things called "detective stories," handled at Harvard with tongs, whereas Mrs. Stowe's famous eleven Kleenex tract, sanctified by a testimonial of Lincoln's, soars aloft into the Disnified sunsets of literature. So the matter stands in 1982. But in a hundred years, if this series is still around, it either will have atrophied into total irrelevance or else will have managed to embalm three novels by Ross Macdonald. Just watch. And you read it here first.I did read it there first, in Harper's when it appeared in 1982, and since when collected in Mazes.
Macdonald's work did not have to wait a century. Ross Macdonald: Four Later Novels is the third volume of Macdonald's novels that the Library of America has published, appearing in 2017; the first volume appeared in 2015. Nor is he the only one whose detective novels are available: Elmore Leonard, Raymond Chandler, and Dashiell Hammett are linked from the Macdonald pages on the Library's website. And I do not suppose that Harvard handled detective fiction with tongs these many years.
I should have taken Kenner's and Welty's words on Macdonald when I read them all those years ago. Welty's were in a review (collected in The Eye of the Story) of The Underground Man, one of the four later novels. I found the volume yesterday at Second Story Books, and have read through it with great interest. It would take another reading or two to get all of the genealogies of the novels straight: perhaps the Library of the America should include in an appendix family trees such as one finds in histories and mythologies.
According to the notes in the back of the volume, Kenner and Kenneth Millar, who wrote under the name Ross Macdonald, became friends in 1951, when Kenner was teaching at the University of California at Santa Barbara. Welty became a friend of Millar's after her review of The Underground Man.
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