From Democracy by Henry Adams, chapter ix:
"Yet even Sybil was startled as she rode through the gate and found herself suddenly met by the long white ranks of head-stones, stretching up and down the hill-sides by thousands, in order of baffle; as though Cadmus had reversed his myth, and had sown living men, to come up dragons' teeth. She drew in her horse with a shiver and a sudden impulse to cry. Here was something new to her. This was war—wounds, disease, death. She dropped her voice and with a look almost as serious as Carrington's, asked what all these graves meant. When Carrington told her, she began for the first time to catch some dim notion why his face was not quite as gay as her own. Even now this idea was not very precise, for he said little about himself, but at least she grappled with the fact that he had actually, year after year, carried arms against these men who lay at her feet and who had given their lives for her cause. It suddenly occurred to her as a new thought that perhaps he himself might have killed one of them with his own hand. There was a strange shock in this idea. She felt that Carrington was further from her. He gained dignity in his rebel isolation. She wanted to ask him how he could have been a traitor, and she did not dare. Carrington a traitor!
Carrington killing her friends! The idea was too large to grasp. She fell back on the simpler task of wondering how he had looked in his rebel uniform."
From The Bostonians by Henry James, chapter xxv:
'"Now there is one place where perhaps it would be indelicate to take a Mississippian," Verena said, after this episode. "I mean the great place that towers above the others—that big building with the beautiful pinnacles, which you see from every point." But Basil Ransom had heard of the great Memorial Hall; he knew what memories it enshrined, and the worst that he should have to suffer there; and the ornate, overtopping structure, which was the finest piece of architecture he had ever seen, had moreover solicited his enlarged curiosity for the last half-hour. He thought there was rather too much brick about it, but it was buttressed, cloistered, turreted, dedicated, superscribed, as he had never seen anything; though it didn't look old, it looked significant; it covered a large area, and it sprang majestic into the winter air. It was detached from the rest of the collegiate group, and stood in a grassy triangle of its own. As he approached it with Verena she suddenly stopped, to decline responsibility. "Now mind, if you don't like what's inside, it isn't my fault."
He looked at her an instant, smiling. "Is there anything against Mississippi?"
"Well, no, I don't think she is mentioned. But there is great praise of our young men in the war."
"It says they were brave, I suppose."
"Yes, it says so in Latin."
"Well, so they were—I know something about that," Basil Ransom said. "I must be brave enough to face them—it isn't the first time." And they went up the low steps and passed into the tall doors. The Memorial Hall of Harvard consists of three main divisions: one of them a theatre, for academic ceremonies; another a vast refectory, covered with a timbered roof, hung about with portraits and lighted by stained windows, like the halls of the colleges of Oxford; and the third, the most interesting, a chamber high, dim, and severe, consecrated to the sons of the university who fell in the long Civil War. Ransom and his companion wandered from one part of the building to another, and stayed their steps at several impressive points; but they lingered longest in the presence of the white, ranged tablets, each of which, in its proud, sad clearness, is inscribed with the name of a student-soldier. The effect of the place is singularly noble and solemn, and it is impossible to feel it without a lifting of the heart. It stands there for duty and honour, it speaks of sacrifice and example, seems a kind of temple to youth, manhood, generosity. Most of them were young, all were in their prime, and all of them had fallen; this simple idea hovers before the visitor and makes him read with tenderness each name and place—names often without other history, and forgotten Southern battles. For Ransom these things were not a challenge nor a taunt; they touched him with respect, with the sentiment of beauty. He was capable of being a generous foeman, and he forgot, now, the whole question of sides and parties; the simple emotion of the old fighting-time came back to him, and the monument around him seemed an embodiment of that memory; it arched over friends as well as enemies, the victims of defeat as well as the sons of triumph.'
I have read that both Carrington and Ransom were modeled on L.Q.C. Lamar, briefly a Confederate soldier, then diplomat, eventually justice of the U.S. Supreme Court..